Ableton Live 9 Dj Template Download

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You will receive a personal download link via your email address. Taking inspiration from Dj Snake, Jack U, Diplo this template gives you a great opportunity.
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Sep 24, 2017 This page is home to a treasure trove of free project files and free Ableton Live templates! Ableton Live is state of the art music software for creating and mixing music. It’s used by professional artists and DJs all over the world. Luckily, the web is ripe with free Ableton project files if.

In this new tutorial series focused on building a DJ template, Dubspot’s Rory PQ shares his insight about digital DJing with Ableton Live and takes us through the steps to build a customized DJ Template. Included is a FREE Ableton Live DJ Template download. Learn more about our DJ/Producer Ableton Program and Enroll Today!

Ableton Live is a powerful tool for producers but it also excels as the ultimate digital DJ platform. Live’s innovative approach to live performance allows you to create and customize DJ templates that suit your needs. It opens up possibilities and gives you the tools to expand your creativity and evolve as a DJ. Blurring the line between production and performance, Live’s unique interface and features make it possible to transform the stage into a performance studio.

This tutorial will be the first in aeries on building a custom DJ template in Ableton Live. We will explore some of the advantages of digital DJing using Ableton Live and create a basic DJ template. The template included in this tutorial will be the foundation for creating additional custom effects in a series of other DJ template building tutorials.

Before we get the wheels spinning, you’re welcome to follow along by downloading the FREE Ableton Live DJ Template below. Includes guide for mapping each control.

What is Digital DJing?

Digital DJing is a more modern approach to performing using computer-based DJ software driven by various MIDI controllers and analog devices. This style of DJing allows for highly customized setups that are intuitive and streamlined. It essentially eliminates the time spent Beatmatching for more creative possibilities. Digital DJing has evolved rapidly over the years and Live has become one of the leading weapons of choice for many forward-thinking artists looking to take advantage of its non-linear approach to live performance.

Visit here to see more of Dubspot’s DJ Kiva ‘Guided Dub’ Performance w/ Ableton Live + Akai APC4.

Advantages of Performing with Ableton Live

Ableton Live’s capabilities and versatility allow artists to create personalized DJ setups tailored to meet individual artistic needs. Below are just a few of the many advantages of using Live as a powerful performance tool.

Trigger an unlimited number of songs and samples
Mix songs seamlessly in sync without manual Beatmatching
The tempo can be changed without affecting a songs pitch
Capable of creating remixes and mashups on-the-fly
Ability to create complex effects configurations
Real-time manipulation of audio and MIDI
Unlimited flexibility and customizability
Capable of using third-party plugins
Unlimited amount of virtual decks
Integration abilities with other DJ software platforms
Portability

Building a DJ Template

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Lets start this party by switching over to Live’s Session View. Deckadance download crack. Session View was designed for live performance and is ideal for creating a DJ setup for many reasons. Mainly, because its easy to visually navigate and simultaneously launch various clips and scenes, create virtual decks and signal routings, stay organized, and have the option to use Live’s built-in cross fader. In addition, most if not all MIDI controllers that are compatible with Live are designed to control and navigate Lives Session View.

Template Overview

The DJ Template includes the following:

Two virtual decks labeled Left Deck and Right Deck
One track for additional samples
Custom four band DJ EQ racks for each deck
Lowpass and Highpass filter racks for each deck
Gain and Mute controls for each deck
Custom Short Verb Delay racks for each deck on Return tracks
Expansion Macros for additional effects we will create in other tutorials

Creating Virtual Decks

To keep things simple at first we will only create two virtual decks to emulate the left and right turntables of a traditional DJ setup. However, I do encourage experimenting with this template and creating as many decks as you like.

Although we will be performing on two decks, we will create four Audio tracks. Two Audio tracks will emulate our virtual decks and contain all the clips used in the DJ set. The other two Audio tracks will be used for routing the signal to all the audio effects, including ‘Dummy Clip’ effects that we will create in the next tutorial of the series. The audio signal will be routed from the Left and Right Decks to the Left and Right Out tracks. This setup allows the original signal to keep playing without any playback interruptions when effects are triggered. It also allows the signal to pass through in parallel unaffected for stability and better performance.

Step One Creating Virtual Decks

Create four Audio tracks in Session View
Label the first track Left Deck
Label the second track Left Out
Label the third track Right Out
Label the fourth track Right Deck
Optional – Create an empty Audio track to separate the left and right tracks

Step Two Routing the Signal

Expand Live’s In/Out Section and set the following routing destinations for each track.

Left Deck – Select Left Out from the Audio To chooser
Left Out – Select the Monitor ‘In’ button
Right Deck – Select Right Out from the Audio To chooser
Right Out – Select the Monitor ‘In’ button

Creating Audio Effects

Now that we have virtual decks to playback our club bangers, its time to set up some basic controls commonly found on most DJ mixers. For this demonstration we will use Live’s EQ Eight. We could also use EQ Three or any other third-party EQ plugin.

Creating a DJ EQ Rack

Drop in an Audio Effect Rack
Load an EQ Eight device
Activate the first four filters
Macro map the Gain controls for each filter to each of the top four Macro controls and name them accordingly
Macro map the Frequency controls for each filter to each of the four bottom Macro controls and name them accordingly
Select low shelf for filter one and set the frequency between 100-200 Hz
Select bell for filter two and set the frequency between 200-1.5 kHz
Select bell for filter three and set the frequency between 1.5-6 kHz
Select high shelf for filter four and set the frequency between 6-12 kHz
Duplicate the EQ Eight. This will create a steeper filter slope in the signal for a sharper cut. Alternatively you could stack filters on each other with the same settings to create 24 dB slopes.

Creating Lowpass and Highpass Filters

Drop in another Audio Effect Rack after the DJ EQ rack
Load two Auto Filter devices
Select highpass for the first filter and lowpass for the second filter
Macro map the Frequency control for each filter to separate Macro controls
Macro map the Filter Q for both filters to the same Macro control
Optional – Macro map the Device Activator switch for both filters to the corresponding Frequency Macro controls. This will deactivate the filters when not in use. They will switch on when the Frequency Macros are adjusted
Select both racks and press CMD (Mac)/CTRL (PC) + G to Group the two racks into a main Audio Effect Rack
Macro map the Highpass control to Macro 1, Lowpass to Macro 2, and Filter Q to Macro 3 on the main Audio Effect Rack
Rename the Macro controls accordingly

Creating 12 O’Clock Gain Controls

Many artists prefer there mixing controls to be centered at the 12 o’clock position for 0 dB. Like the DJ EQ’s, we will create a Gain control that zeros out at 12 o’clock.

Drop in another Audio Effect Rack after the Filters rack
Create three device chains
Load a Utility device to the top and bottom chains
Macro map the Gain control for both Utility devices to the same Macro control
Open the Chain Select Editor by clicking the Chain button
Macro map the Chain Selector to the same Macro control as the Gains
The top chain will be used for positive gain. Click and drag the blue Zone bar to define the range from 64-127 and then drag the top bar to create a fade range
The middle chain will be a dry unaffected chain. Click and drag the blue Zone bar to define the range from 48-80 and then drag the top bar to create a fade range for both ends
The bottom chain will be used for negative gain. Click and drag the blue Zone bar to define the range from 0-64 and then drag the top bar to create a fade range
Macro map the Gain Macro to Macro 5 below the filter controls and rename it accordingly
Click the Map button to open Macro Map Mode and adjust the following parameters

Creating a Transform Switch

A transform switch is essentially a button that cuts the audio off quickly. It’s commonly used for scratching techniques and manual rhythmic gating effects.

Drop in another Audio Effect Rack after the Gain Control rack
Load two Utility devices
Macro map the Gain control on both Utility devices to the same Macro control
Macro map the new Gain control Macro to Macro 4 and rename it accordingly
Click the Map button to open Macro Map Mode and adjust the following parameters

Creating Reverb Delay Effect Sends

The last set of audio effects we will create will be triggered by Send controls. The rack works great for creating wide delay effects with a touch of saturation and reverb.

Create two Return tracks and rename them Left and Right Delay
Drop in an Audio Effect Rack
Load a Saturator and adjust the Drive to taste. This will add a bit of analog warmth to the delay signal
Load an EQ Eight to cut out any unwanted low frequencies below 200 Hz
Load a Filter Delay Device and Macro map the Feedback and Pan controls
Adjust the Delay Time to taste and ensure the Dry control is set to –inf dB
Load a Reverb device and Macro map the Dry/Wet control
Adjust any parameters to taste
Load a Compressor and Macro map the Threshold control
Enable Sidechain and choose the corresponding deck from the chooser menu to help keep the delay signal in check from cluttering the mix
Load a Utility and Macro map the Gain control
Rename the Macro controls accordingly

Additional Setup

The following additions are optional, but just to be safe from overloading anything I dropped in a Limiter to both Left and Right Out tracks, as well as the Master channel. In addition, I created an Audio track used to trigger additional samples.

Final Thoughts

Sa-weet, that brings the record to a stop for the first tutorial in a series of building a DJ Template. The next set of tutorials in the series will focus on building additional audio effects for the deck racks and creating punch-in effects using Dummy Clips. In the meantime I encourage you all to experiment with the template, come up with your own set of effects and configurations, and most of all HAVE FUN!

Snag the free Download of the DJ template, load your favorite jams, hang the disco ball, and bump the club!

Be sure to check out the other tutorials in the series.

Part Two: Ableton Live Tutorial: Building Dummy Clip DJ Effects w/ Rory PQ + FREE Download

Part Three: Ableton Live Tutorial: Creating a DJ Assist Mix Fader Rack w/ Rory PQ + FREE Download

Ableton Live Producer Certificate Program

The flagship of our music training, with every Ableton Live course offered at the school. After completing this program, you will leave with a portfolio of original tracks, a remix entered in an active contest, a scored commercial to widen your scope, and the Dubspot Producer’s Certificate in Ableton Live.

What’s Included:

Ableton Live Level 1: Beats, Sketches, and Ideas
Ableton Live Level 2: Analyze, Deconstruct, Recompose, and Assemble
Ableton Live Level 3: Synthesis and Original Sound Creation
Ableton Live Level 4: Advanced Sound Creation
Ableton Live Level 5: Advanced Effect Processing
Ableton Live Level 6: Going Global with your Music

This program is about learning Ableton Live by going through the entire process of being an artist, by developing your own sound through a series of sketches and experimentation. You will also learn the ins and outs of this powerful software through a series of exercises designed to help you master the steps involved in producing your own music. After a level of getting familiar with the tools that Ableton has to offer, you will then develop your sonic ideas into full-length tracks. You will be exposed to a variety of approaches to arrangement and composition, storytelling techniques, ways of creating tension and drama in your music. At the end of the day, it is the sum total of your choices as an artist that define your sound, and levels 2 – 6 will give you the experience of actually completing tracks to add to your portfolio.

If you have questions, please call 877.DUBSPOT or send us a message.

Ableton Live is both a powerful Digital Audio Workstation (DAW) and an excellent live electronic music performance tool. This article walks through how to set up an Ableton Live DJ template with cue capabilities using the Akai APC40.

Setting up the audio in Ableton Live 8

Connect the Akai Pro APC40 to the computer with the provided USB cable.
Install and open Ableton Live.
Open the Preferences menu in Ableton Live.
In the Audio tab, select the internal computer sound card as the default Audio Output Device. Close the Preferences window.
On the right side of the main Ableton Live interface, locate the Master Track.
In the Master Track, make sure the Show/Hide In/Out Section, Show/Hide Mixer Section, and Show/Hide Crossfader Section buttons are all highlighted in yellow.
Set the Cue Out drop down menu to Mono Channel 1 and the Master Out drop down menu to Mono Channel 2.
In the main Ableton menu bar, choose Create >Insert Audio Track. Repeat to create another audio track.
On both tracks, set the Audio To drop down menu to Ext. Out and the Output Channel drop down menu to 1/2.
Near the bottom of the two tracks, locate the Crossfade Assign buttons. Set the first audio track (1 Audio) to Fader Channel A and the second audio track (2 Audio) to Fader Channel B.
Plug a Stereo Breakout 3.5mm TRS to Dual 1/4' Female Y Cable into the headphone output of your computer.
Connect the cue headphones to the Left Channel 1/4' Input using a 3.5mm Female to Stereo 1/4' Cable Adaptor
Connect a powered speaker to the Right Channel 1/4' Input. All audio output will be mono.
- To run the Master Out to a powered PA system, use a 1/4' to Dual 1/4' Y Cable.
This setup can also be used with an USB Audio Interface. Repeat Step 4, but select the audio interface (in this example the M-Audio M-Track) as the default Audio Output Device.
All other steps for setup are the same. Plug the cue headphones into the Main Left Output using a3.5mm Female to Stereo 1/4'Cable Adaptor and plug a powered speaker into the Main Right Output.

Loading Tracks

Drag and drop the songs for the set into the Audio Tracks.
Ableton will automatically warp the tracks to the set BPM.

Effects Set Up

Other effects can be used, but for the purposes of this guide drag and drop an EQ Three, Simple Delay, and Auto Filter from the Audio Effects folder in that order into each Audio Track.
In the Track View Selector of Audio Track 1, click the title bar of the EQ Three device, hold Shift, and then click the title bar of the Auto Filter device. All three effects are now highlighted.
Right-click any of the audio effect title bars and select Group to create an Audio Effect Rack.
Enable the Macro Control of the Audio Effect Rack.
Right click the Effect's parameter you would like to control and assign it to the Macro Control of your choice.
For the purposes of this guide, use the following Macro Controls:
- EQ Three - GainLow to Macro 1
- EQ Three - GainMid to Macro 2
- EQ Three - GainHi to Macro 3
- Simple Delay - Feedback to Macro 5
- Simple Delay - Dry/Wet to Macro 6
- Auto Filter - Cutoff to Macro 7
- Auto Filter - Q to Macro 8
Repeat this process in Audio Track 2.
These will be the DJ EQ & FX Racks that can controlled by the APC40.

MIDI Mapping a Pitch Fader to the APC40

Go into Ableton Live's Preferences menu (Options > Preferences (Windows), Live > Options (Mac)).
In the MIDI Sync tab, set the Takeover Mode to Pickup, then choose the APC40 in the Control Surface, Input, and Output drop down menus.
In the MIDI Ports section, set the Track and Remote buttons to On.
The APC40 will automatically MIDI Map the Track Volumes, Crossfader, and the Macro Controls of the EQ & FX racks. However, BPM control is not automatically MIDI mapped.
In the main Ableton menu bar, select Options > Edit MIDI Map.
Click on the left side of the BPM. This way, MIDI control of the BPM will be in whole numbers rather than in hundredths.
Move the fader on the APC40 that you want to MIDI Map as the BPM control. Set the Min to 70 and the Max to 180.
You can now change the tempo during your Live set. Skrillex ableton download.

Saving your Template

Go to File.
Click Save As.
Name the file DJ_Default. Load this set to DJ wherever and whenever! Try different FX Groups and Macro Controls to make your set unique!

Performing